Electric Guitar Effects

Behringer VD400 Vintage Analog Delay Effects

Behringer VD400 Vintage Analog Delay Effects

Vintage Analog Delay Effects Pedal

Line 6 Pocket POD

Line 6 Pocket POD

The Line 6 Pocket POD puts world class Pod tone and rockstar presets in the palm of your hand! About the size of a handheld tuner, Pocket POD is the only personal amp modeling and effects processor packed with over 300 custom presets dialed in by rock stars and professional studio musicians who know great tone. With its 32 classic and modern amp models, 16 cab models, and 16 effects, Pocket POD enables you to create mind-blowing guitar tones wherever inspiration strikes. AC_FL_RunContent( ‘codebase’,'http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=9,0,28,0′,’width’,'326′,’height’,'282′,’title’,'Line 6 Pocket POD’,’src’,'http://www.americanmusical.com/ItemFiles/Flash/LINPOCKETPOD’,'quality’,'high’,'pluginspage’,'http://www.adobe.com/shockwave/download/download.cgi?P1_Prod_Version=ShockwaveFlash’,'movie’,'http://www.americanmusical.com/ItemFiles/Flash/LINPOCKETPOD’ ); //end AC code Line 6 Pocket POD Features: Legendary POD Tone to Go Portable and battery powered 300+ presets dialed in by artists a

Dunlop 535Q Multi-Wah Crybaby Pedal

Dunlop 535Q Multi-Wah Crybaby Pedal

The Dunlop Crybaby 535Q offers versatility never heard before. This pedal lets you customize and shape the sound of your wah. By a simple turn of the “Q” dial, you can shape your wah from a narrow, sharp wah to a broad, subtle wah. The Dunlop Crybaby 535Q also offers six new guitar wah ranges, a variable boost from 0 to +26 dB and a hard wire on/off switch. Its new custom circuitry consumes less power and eliminates unwanted distortion. The Dunlop Crybaby 535Q is the guitarist’s premium “do it all” wah-wah pedal. Control over every parameter lets you sculpt the effect to your liking. Select the frequency center of the effect, then dial in the breadth (frequency range) to be swept by the pedal’s travel. From narrow & sharp to broad & subtle, this clean, noise-free wah puts the control in your hands (and foot). Used by Jeff Beck.

Line 6 POD HD Guitar Desktop Multi-Effects

Line 6 POD HD Guitar Desktop Multi-Effects

POD HD represents a giant leap forward for amp modeling. It is the only desktop multi-effect to boast 16 state-of-the-art Line 6 HD amp models, 100+ modern and vintage-styled M-class effects, and a collection of essential digital and analog ins and outs. POD HD is the most up-to-date version of the original, time-tested lineage of Line 6 desktop direct-recording devices. Creating these new HD amp models was no small feat. Line 6 mixed 15 years of amp modeling experience with 3 years of new research and development to build an entirely new amp modeling technology from the ground up. POD HD includes 16 HD amp models based on:Fender Twin Reverb, Hiwatt Custom 100 (DR103), Supro S6616, Gibson EH-185, Fender Bassman, Fender Blackface Deluxe Reverb,Divided by 13 JRT 9/15, Dr. Z Route 66, Vox AC-15, Vox AC-30 (Top Boost), Marshall JTM-45 MkII, Park 75, Marshall JCM-800 (2204), Bogner Uberschall, Mesa/Boogie Dual Rectifier, ENGL Fireball 100100+ M-class FXMade famous by Line 6 M13 and M9 Stompbox Modelers, POD HD features 100+ M-class effects. Route up to 8 FX at once in any order and combination. 19 delays (including tube and solid-state tape echoes). 23 modulations (including both blackface-style opto and brownface bias-modulating tremolo, phasers, choruses and pitch effects). 17 distortions (classic stompbox distortion, to vintage fuzz, to thick metal chunk). 12 compressors and EQs (including stomp comps and studio tube compression). 26 filters (including wahs and several exclusive custom filters), 12 reverbs (from surfy springs, to studio plates, to cutting-edge digital room sounds).Unprecedented flexibility—stunning simplicityBeyond the mere depth of the amp and FX models, POD HD offers flexibility to mix and match amps, effects, cabs, mics and more in multiple pre-set rigs, attainable at the touch of a button.

Line 6 Relay G50 Wireless Guitar System: Wired Tone, Wireless

Line 6 Relay G50 Wireless Guitar System: Wired Tone, Wireless

Relay G50 12-channel wireless system redefines the wireless experience for guitarists and bassists. Its superior sound, professional dependability and refreshing simplicity are simply unavailable from other wireless systems.

Superior Sound
Relay G50 provides a pure signal. Its clarity rivals that of the highest-quality guitar cables. Guitars get a beautiful high-end sparkle and basses get a thunderous low-end punch, even at distances of up to 200 feet. Traditional wireless systems compromise their sound by rolling-off crucial high- and low-end frequencies and compressing their signals. Relay G50 offers superior sound with full bandwidth and zero compression.

Professional Dependability
Relay G50 broadcasts over the 2.4GHz band, which keeps its signal free from many kinds of interference. Traditional wireless systems, on the other hand, are susceptible to dropouts, static and many other kinds of interference. For added security, Relay G50 employs exclusive signal protection technology–it simultaneously broadcasts encrypted data streams to multiple antennas. Refreshing Simplicity Relay G50 is a low-profile system that’s easy to use. The lightweight transmitter remains out of the way of your performance and its LCD displays channel number and battery life. The rugged metal receiver offers easy-to-read LEDs that display power, status and battery life. Its dual 1/4-inch outputs make it an easy addition to your pedal board.

Receiver features side-mounted 1/4-inch ins and outs and internal antennas, making it easy to add to a pedal board.

Attached to Your Guitar Cable?
For players attached to cables, adopting a wireless system introduces many questions: What will it feel like? Will it change my sound? Relay G50 sounds just like a cable, but it also sounds just like your cable. Relay G50 features EQ settings that match the frequency responses of typical guitar cables.

VWT
Exclusive VWT (Virtual Wire Transmission) technology ensures full-range frequency response, excellent transient response, and wide dynamic range–just like a high-quality guitar cable.

Superior specs
Relay digital wireless systems produce full-range tones with 10Hz-20kHz frequency response, exceedingly low noise with up to 120dB dynamic range, and studio-quality resolution with 24-bit A/D conversion. (Comparably priced analog wireless systems offer 50Hz-15kHz frequency response and >90dB dynamic range. This wreaks havoc on your tone, especially if you use a high-gain amp.)

Cable tone simulation
Using a cable and a wireless system? Now you can switch back and forth without having to adjust the tone settings on your amplifier. Relay digital wireless systems feature a Cable Tone Simulator, which lets you match the sound of your Relay to the sound of your cable.

Compander-Free
Companders squash your signal and ruin your tone. Analog wireless systems require companders but Relay wireless systems do not. Remaining compander-free enables Relay to deliver a beautiful high-end sparkle, thunderous low-end punch, and touch response that analog wireless systems simply cannot deliver.

Diagram on how companders ruin your signal

Remaining compander-free gives better sound than analog wireless systems.

DCL
Exclusive DCL (Digital Channel Lock) technology automatically locks out all sources of interference. The only sound that will come out of your amplifier is you – not static, not Top 40 radio, just you. Guaranteed.

2.4GHz broadcast
The best way to avoid interference? Don’t get in its way. Relay digital wireless systems broadcast in the 2.4GHz band, which successfully avoids interference caused by TV stations, public safety broadcasts, cell phone towers, and other high-powered sources.

What about WiFi?
Worried about interference caused by 2.4GHz WiFi networks and Bluetooth® devices? Don’t be. Relay digital wireless systems use uniquely addressed and encoded digital transmission technology. Your tone will make it from your transmitter to your receiver free of interference.

Features a switch for changing wireless channels

Don’t waste time scanning for open channels.

Full quality, no matter what
Whether you’re playing two feet from your Relay or at the edge of its range, you get the same great specs: full frequency response, superior dynamic range, cable-inspired dependability, and 24-bit A/D conversion.

All channels, all the time
All channels in all Relay digital wireless systems work all the time. Too good to be true? Maybe for an analog wireless system. Relay digital wireless systems are different. There’s no website to reference, and no need to scan for open channels.

Line 6 Relay G50 Wireless Guitar System: Wired Tone, Wireless Freedom

Digitech PSS3-120 Power Supply for GNX2, GNX3, GNX3000, GNX4,

Digitech PSS3-120 Power Supply for GNX2, GNX3, GNX3000, GNX4,

output: 9VAC 2.1A; polarity: N/A (AC output). Works With: GNX2; GNX3; BNX3; Genesis 3.

Digitech PSS3-120 Power Supply for GNX2, GNX3, GNX3000, GNX4, J-Station

Line 6 Relay G30 Wireless Guitar System

Line 6 Relay G30 Wireless Guitar System

Relay G30 redefines the wireless experience for guitarists and bassists. Its superior sound, professional dependability and refreshing simplicity are unavailable from other wireless systems.

Features:
  • Polycarbonate stompbox-style system
  • Side-mounted 1/4-inch ins and outs on receiver
  • Internal antennas on receiver
  • Reciever has standard 9VDC power
  • 10Hz-20kHz frequency response
  • 6 compatible channels
  • 100 feet line-of-sight transmission range (may vary with local conditions)
  • 24-bit Delta Sigma, 128 times oversampling
  • Transmitter has approx. 8 hour battery life (2 AA batteries)

Superior Sound
Relay G30 provides a pure signal. Its clarity rivals that of the highest-quality guitar cables. Guitars get a beautiful high-end sparkle and basses get a thunderous low-end punch, even at distances of up to 30 meters. Traditional wireless systems compromise their sound by rolling-off crucial high- and low-end frequencies and compressing their signals. Relay G30 offers superior sound with full bandwidth and zero compression.

Professional Dependability
Relay G30 broadcasts its robust signal over the 2.4GHz band. This keeps the signal free from many kinds of interference. For added security, Relay G30 employs exclusive signal protection technology: it broadcasts an encrypted data stream on six channels simultaneously.

Receiver features side-mounted 1/4-inch ins and outs and internal antennas, making it easy to add to a pedal board.

Features a switch to change between cable and wireless systems

Switch between cable and wireless systems without having to adjust the tone settings on your amplifier.

Traditional wireless systems, on the other hand, are susceptible to dropouts, static and many other kinds of interference. Broadcasting over congested UHF bands, their signals may be affected by interference generated as far away as 160 kilometers, or more.

Refreshing Simplicity
Relay G30 is a low-profile system that’s easy to use. The lightweight transmitter remains out of the way of your performance, and the rugged receiver can sit on top of your amp or be added to your pedal board. The receiver offers easy-to-read LEDs that display power, status and battery life.

Attached to Your Guitar Cable?
For players attached to cables, adopting a wireless system introduces many questions: What will it feel like? Will it change my sound? Relay G30 sounds just like a cable, but it also sounds just like your cable. Relay G30 features two EQ settings that match the frequency responses of typical guitar cables. Different players use different cables, but all players can use Relay G30.

VWT
Exclusive VWT (Virtual Wire Transmission) technology ensures full-range frequency response, excellent transient response, and wide dynamic range – just like a high-quality guitar cable.

Superior Specs
Relay digital wireless systems produce full-range tones with 10Hz-20kHz frequency response, exceedingly low noise with up to 120dB dynamic range, and studio-quality resolution with 24-bit A/D conversion. (Comparably priced analog wireless systems offer 50Hz-15kHz frequency response and >90dB dynamic range. This wreaks havoc on your tone, especially if you use a high-gain amp.)

Cable Tone Simulation
Using a cable and a wireless system? Now you can switch back and forth without having to adjust the tone settings on your amplifier. Relay digital wireless systems feature a Cable Tone Simulator, which lets you match the sound of your Relay to the sound of your cable.

Compander-Free
Companders squash your signal and ruin your tone. Analog wireless systems require companders but Relay wireless systems do not. Remaining compander-free enables Relay to deliver a beautiful high-end sparkle, thunderous low-end punch, and touch response that analog wireless systems simply cannot deliver.

Diagram on how companders ruin your signal

Remaining compander-free gives better sound than analog wireless systems.

DCL
Exclusive DCL (Digital Channel Lock) technology automatically locks out all sources of interference. The only sound that will come out of your amplifier is you–not static, not Top 40 radio–just you.

2.4GHz broadcast
The best way to avoid interference? Don’t get in its way. Relay digital wireless systems broadcast in the 2.4GHz band, which successfully avoids interference caused by TV stations, public safety broadcasts, cell phone towers, and other high-powered sources.

What About WiFi?
Worried about interference caused by 2.4GHz WiFi networks and Bluetooth devices? Don’t be. Relay digital wireless systems use uniquely addressed and encoded digital transmission technology. Your tone will make it from your transmitter to your receiver free of interference.

Features a switch for changing wireless channels

Don’t waste time scanning for open channels.

Full Quality, No Matter What
Whether you’re playing two feet from your Relay G30 or at the edge of its range, you get the same great specs: full frequency response, superior dynamic range, cable-inspired dependability, and 24-bit A/D conversion.

All Channels, All the Time
All channels in all Relay digital wireless systems work all the time. Too good to be true? Maybe for an analog wireless system. Relay digital wireless systems are different. There’s no website to reference, and no need to scan for open channels.

Zoom B1X Bass Multi Effects Pedal with Expression Pedal

Zoom B1X Bass Multi Effects Pedal with Expression Pedal

ZOOM B1X Guitar Effects Pedals The sleek Zoom B1X bass effects pedal incorporates all of the features of the B1 pedal such as 80 memory locations (40 preset/40 user), built-in auto-chromatic tuner, and the PCM drum machine with tap tempo. It still has the 13 amazing amp/pedal models and the 46 effects types too. But what sets it apart is the addition of the on-board expression pedal. Now you can change effect parameters on the fly. Change chorus speed and depth, or the time on reverb and delay patches. With the expression pedal you have almost unlimited options! Zoom B1x Features Zoom ZFX-3 24-bit/96kHz digital multi-effects processor 46 Effects types; 8 Modules 40kHz frequency response Built in drum machine & Harmonized pitch shifter 46 effect types 13 amp-pedal modeling sets Onboard expression pedal 80 patches (40 user defined and 40 preset patches) Operates on 4 AA batteries or included AC power adapter (AD-0006D) AmericanMusical.com is an authorized dealer of Zoom products.

Pedaltrain Pro With Soft Case

Pedaltrain Pro With Soft Case

For the player who needs a large pedalboard without the extra bulk (or expense) of a flight case. A heavy duty cordura nylon gig bag is included with solid panels sewn inside the walls for added strength, plus a large and roomy gusseted pouch on the exterior.

Ernie Ball 6181 Junior Size Volume Pedal-Mono, 25K

Ernie Ball 6181 Junior Size Volume Pedal-Mono, 25K

The potentiometer has a 25K ohm resistance suitable for the audio path of active electronic instruments.Overall Volume Pedal Junior dimensions: 3.5″ W x 10″ L x2 3/8″ H . The main pivot shaft is of centerless ground 1/2′ diameter stainless steel, precision seated though nylon bushings at both ends. Tough long lasting Kevlar cable transmits pedal travel to the controls and is attached by stainless steel springs.